<?xml version="1.0" encoding="utf-8"?> <rss version="2.0"> <channel> <title>Design Remote Jobs | Find Remote Graphic Designer Job Positions</title> <link>https://www.designremotejobs.com</link> <description>Find remote graphic design jobs worldwide. Browse hundreds of remote positions for graphic designers, UI/UX designers, and creative professionals. Work from anywhere.</description> <lastBuildDate>Sun, 09 Aug 2026 19:40:07 GMT</lastBuildDate> <docs>https://validator.w3.org/feed/docs/rss2.html</docs> <generator>https://github.com/jpmonette/feed</generator> <language>en</language> <image> <title>Design Remote Jobs | Find Remote Graphic Designer Job Positions</title> <url>https://www.designremotejobs.com/images/logo-512.png</url> <link>https://www.designremotejobs.com</link> </image> <copyright>All rights reserved 2024, DesignRemoteJobs.com</copyright> <category>Bitcoin News</category> <item> <title><![CDATA[Midimalism: The New Home Design Trend That Balances Minimalism and Maximalism]]></title> <link>https://www.designremotejobs.com/article/midimalism-the-new-home-design-trend-that-balances-minimalism-and-maximalism</link> <guid>midimalism-the-new-home-design-trend-that-balances-minimalism-and-maximalism</guid> <pubDate>Sun, 09 Aug 2026 18:00:39 GMT</pubDate> <description><![CDATA[Minimalism, you may have heard, is out. Gone are those hallmarks of Millennial style: gray walls, all-white kitchens and stark, unadorned surfaces that were, perhaps, a reaction to growing up in overstuffed homes filled with decorative roosters and voluminous Roman shades. Now, as the interior design pendulum swings back to a more exuberant look — one that might even see the return of those roosters — people are embracing maximalism, a more-is-more approach that mixes colors, patterns, textures and shapes. But there's a new trend that's gaining traction: **midimalism**. It's a happy-medium interior design approach that combines the best of both worlds. A midimalist home is not as stark as a minimalist one, but not as chaotic as a maximalist one. It's a balanced, personal, and inviting space that reflects your personality without overwhelming the senses. **What is Midimalism?** Midimalism is about finding that sweet spot between minimalism and maximalism. It's about having plenty of personal touches, but not so many that the space becomes chaotic. It's about embracing color, pattern, and texture, but in a curated way. It's about creating a home that feels lived-in and warm, but not cluttered. **Key Principles of Midimalism** - **Curated Collections:** Instead of displaying everything you own, choose a few meaningful pieces that tell a story. - **Color with Restraint:** Use color to add interest, but balance it with neutral tones to avoid visual overload. - **Mix Textures:** Combine different textures like wood, metal, and fabric to add depth without clutter. - **Personal Touches:** Incorporate items that reflect your personality, such as travel souvenirs or family heirlooms, but display them thoughtfully. - **Functional Beauty:** Every item should serve a purpose or bring you joy, but not both if it creates clutter. **Why Midimalism is Trending** In a world that often feels chaotic, midimalism offers a sense of calm and order without being sterile. It's a reaction to the coldness of minimalism and the overwhelming nature of maximalism. People are looking for homes that feel authentic and comfortable, and midimalism delivers that. **How to Achieve a Midimalist Look** 1. **Start with a Neutral Base:** Use neutral colors for large surfaces like walls and floors. 2. **Add Layers of Texture:** Incorporate rugs, throws, and pillows in different materials. 3. **Choose a Focal Point:** Pick one bold piece per room to draw the eye. 4. **Edit Your Belongings:** Keep only what you love and use, but don't be afraid to display items that have meaning. 5. **Balance Patterns:** Mix patterns, but keep them in a cohesive color palette. Midimalism is not about following strict rules; it's about creating a space that feels right for you. It's a flexible approach that allows you to express your style while maintaining a sense of harmony. As the design world evolves, midimalism offers a refreshing alternative to the extremes. It's a trend that's here to stay because it's grounded in the idea that our homes should be a reflection of our lives, not a showroom. So, if you're tired of the starkness of minimalism but not ready to embrace full-on maximalism, give midimalism a try. You might just find it's the perfect balance for your home.]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>midimalism</category> <category>homedesign</category> <category>interiortrends</category> <category>minimalism</category> <category>maximalism</category> <enclosure url="https://www.washingtonpost.com/wp-apps/imrs.php?src=https://cloudfront-us-east-1.images.arcpublishing.com/wapo/LER362MAIVH6XJ6HOBOALMUT6I.jpg&w=1440" length="0" type="image/php"/> </item> <item> <title><![CDATA[From T-Shirts to Community: How Future Is Color Is Redefining Creative Spaces]]></title> <link>https://www.designremotejobs.com/article/from-t-shirts-to-community-how-future-is-color-is-redefining-creative-spaces</link> <guid>from-t-shirts-to-community-how-future-is-color-is-redefining-creative-spaces</guid> <pubDate>Sat, 08 Aug 2026 18:00:32 GMT</pubDate> <description><![CDATA[In 2020, Erwin Hines, a creative director with a background in design, found himself grappling with the murder of George Floyd and the systemic racism that permeated America. As a Black man, he felt compelled to express his emotions, and his medium of choice was a T-shirt. What began as a personal canvas for his thoughts quickly turned into a movement, selling 5,000 shirts in just two days. But Hines didn't stop there. He transformed a small garage in Barrio Logan into a gathering space, which eventually became **Future Is Color**, a collective focused on creative and cultural design, serving as a lounge, shop, listening room, and community hub. ### The Genesis of Future Is Color Hines's journey started with a simple T-shirt that read, "Respect the people, Not just the culture." The overwhelming response led him to donate all proceeds to organizations working for change. With his full-time job providing financial stability, he could afford to give back entirely. As he delved deeper into understanding systemic issues, he opened his garage doors to the community, fostering conversations and connections. "Slowly, every weekend, I would just open up the space, even if we weren’t folding shirts, just to be down there and engage in conversation," Hines recalls. This organic evolution laid the foundation for what would become a thriving creative space. ### Building a Community Hub The garage transformed into a living room-like environment, complete with couches, books, and a Bluetooth speaker. It became a place where people could hang out, read, and engage in meaningful dialogues. The introduction of music, particularly jazz, added another layer to the space's purpose. **Jazz nights** became a staple, embodying the principles of improvisation and collective harmony. "Jazz is a liberative music and framework. Improvisation is learning how to interact with people who might not be like you, but you have to come together and just improvise on how to make something beautiful," Hines explains. This philosophy extends beyond music, aiming to create **proximity** and **empathy** among diverse individuals. ### The Artistic Practice of Gathering Hines views gathering itself as an artistic medium. The **Studio Sessions** series, which includes live music, warehouse gatherings, intimate listening rooms, and open studio times, is designed to foster connection and dialogue. These sessions are not just about entertainment but about creating opportunities for people to be present with themselves and others. "It was utilizing these spaces to create opportunity for real proximity, and the music became more of a conduit for people just being together," he says. The space has also partnered with the Museum of Contemporary Art San Diego, further cementing its role as a cultural hub. ### Decentering the Founder A key aspect of Future Is Color is its deliberate effort to decenter Hines from the organization. He borrowed the name from a program he started with his sister, which aimed to educate young people about their own stories. By doing so, he ensures that the collective can be carried by others, allowing it to evolve organically. "I’m a shy dude," Hines admits. "I never wanted to be defined as just this thing, so make it something outside of yourself." This approach has allowed Future Is Color to become a community-owned entity, where anyone can take on its mantle. ### The Influence of Upbringing Hines's upbringing in Cleveland, Ohio, played a significant role in shaping his worldview. His parents owned a development company that built affordable housing, and his grandparents ran landscaping and exterminating businesses. They instilled in him the value of giving back to the community. His aunts provided him with books on Black history, nurturing a deep understanding of his heritage. "If you have, you give," he recalls. "You give from your excess, back to the community because we have this responsibility." This ethos is evident in every aspect of Future Is Color, from its educational roots to its community-focused programming. ### Rewriting the Story of Self Hines's work is rooted in the belief that "the environments we inhabit teach us who we are." He has spent years rewriting the narratives imposed by society, embracing his multidimensional identity. He acknowledges that this process is ongoing, even seeking therapy to understand himself better. "I feel free. Not in the current system, though," he says. "I feel liberated enough and free enough mentally, but not physically because of the existing system that we live in." His vision of **collective liberation** is one where everyone can experience true freedom, not just a select few. ### Looking Ahead Future Is Color continues to grow, hosting events that bring people together in meaningful ways. From jazz nights to community conversations, the space is a testament to the power of creativity and connection. As Hines puts it, "I can’t be free until everybody’s free." This philosophy drives his work, making Future Is Color a beacon of hope and a model for community-driven design. For those looking to get involved, Future Is Color offers open studio times and regular events. It's a place where art, music, and dialogue converge, creating a space for healing and growth. As Hines's journey shows, sometimes a simple T-shirt can spark a revolution, and a garage can become a sanctuary.]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>community</category> <category>design</category> <category>creative-space</category> <category>collective-liberation</category> <category>jazz</category> <enclosure url="https://www.sandiegouniontribune.com/wp-content/uploads/2026/08/SUT-L-ONEHINES-5.jpg?w=2000&h=1335" length="0" type="image/jpg"/> </item> <item> <title><![CDATA[Shinobi: Art of Vengeance Sparks Heated Debate: Are We Losing Arcade Game Design?]]></title> <link>https://www.designremotejobs.com/article/shinobi-art-of-vengeance-sparks-heated-debate-are-we-losing-arcade-game-design</link> <guid>shinobi-art-of-vengeance-sparks-heated-debate-are-we-losing-arcade-game-design</guid> <pubDate>Thu, 06 Aug 2026 18:00:44 GMT</pubDate> <description><![CDATA[## The Arcade vs. Modern Game Design Clash Once upon a time, the arcade was the pinnacle of gaming innovation. With hardware more powerful than home systems, these coin-ops demanded high skill ceilings, pushing players to master mechanics and achieve the elusive 'one-credit complete.' Today, a big part of the appeal of arcade titles is the challenge they present. But what happens when classic arcade properties are remade for modern audiences who never experienced the coin-op era? This disconnect is at the heart of a fresh debate, ignited by Lizardcube's **Shinobi: Art of Vengeance** and comments from its CEO, Ben Fiquet. ## The Controversy: Modernizing a Classic In an interview on the Iron Lords Podcast, Fiquet discussed the studio's approach to updating Shinobi for a new generation. He stated, "I have to remind myself I'm a gamer as well, and I find modern games more appealing. They are better in every aspect than retro games. I have nostalgia; I have very good memories from these games, but they will be better with gameplay from now." These comments, resurfaced by popular retro YouTuber St1ka, have ruffled feathers. St1ka tweeted, "I don't understand this hate towards arcade game design. I LIKE the new Shinobi, but is it so hard to not have contempt for arcade-style game design?" ## A Betrayal of the Arcade Ethos? A deep-dive video by SpidersSTG highlights the core issue: Shinobi: Art of Vengeance, while enjoyable, trades the tight, skill-based gameplay of the originals for wide-open Metroidvania-style exploration, aiming to appeal to a broader audience. SpidersSTG paraphrases Fiquet's comments, "We played all the old titles, and we tried to figure out how to make a game out of it, but we didn't like it. So we're going to make a modern game for modern audiences, and we're going to call it Shinobi." He adds, "I can deal with disappointment. It happens all the time. This feels more like a betrayal. There's this opportunity to bring back a kind of gameplay and design ethos like a whole lost language, vocabulary and concepts. And that's not what's happening. What's Shinobi bringing back? 2018 indie Metroidvanias." ## The Challenge of Reviving Retro IPs For many fans, the Shinobi series peaked with classics like the original arcade title, Revenge of Shinobi, Shadow Dancer, and Shinobi III. While Art of Vengeance retains some moves and enemies, it's clear Lizardcube took a very different direction. The game received positive reviews, but did it truly honor the franchise's legacy? The debate questions whether Sega would have even approved a faithful reproduction of '90s gameplay without modern trappings. Interestingly, **Sega has already expressed disappointment with the game's sales**, suggesting the strategy didn't quite work. This raises the question: Should Lizardcube have stuck more to the franchise's roots, as they did with the brilliant Wonder Boy: The Dragon's Trap and Streets of Rage 4? Or would that have limited its appeal? ## The Future of Classic Reboots As the gaming industry continues to revive beloved arcade properties, there's a dangerous line between pleasing existing fans and attracting new ones. The upcoming reboots of Golden Axe, Streets of Rage, and Crazy Taxi will face similar challenges. It remains to be seen how they'll balance nostalgia with modern design trends, but one thing is certain: the debate over arcade game design is far from over.]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>shinobi</category> <category>arcadegames</category> <category>gamedesign</category> <category>retrogaming</category> <category>lizardcube</category> <enclosure url="https://images.timeextension.com/724b4e7d24016/large.jpg" length="0" type="image/jpg"/> </item> <item> <title><![CDATA[Inside Usher's Atlanta Mansion: A Personal Sanctuary Where Art and Family Collide]]></title> <link>https://www.designremotejobs.com/article/inside-ushers-atlanta-mansion-a-personal-sanctuary-where-art-and-family-collide</link> <guid>inside-ushers-atlanta-mansion-a-personal-sanctuary-where-art-and-family-collide</guid> <pubDate>Tue, 04 Aug 2026 18:00:35 GMT</pubDate> <description><![CDATA[Step inside the Atlanta home of music icon Usher, where every corner tells a story. Designed with longtime collaborator Nicole Fuller, this isn't just a celebrity mansion—it's a deeply personal space that blends the singer's rich history, family memories, and a passion for contemporary art, all while challenging conventional design norms. ## A Foyer That Makes a Statement As you enter, five portraits by Gordon Parks, the legendary photographer of African American life, immediately grab your attention. Usher deliberately chose the famous 1956 photo of a Black woman and child outside a segregated entrance to be one of the first things visitors see. "I'm rebranding things," he says, acknowledging the powerful gesture. "We cannot forget our history. But what we can reframe is being able to move forward." This sets the tone for the entire home—a space where the past is honored and the future is imagined. ## The Heart of the Home: Family and Whimsy The home is designed as a creative hub for Usher, his wife Jennifer Goicoechea Raymond, and their children. The living room features a custom "Grandma's Sofa"—a playful take on the plastic-covered furniture many Black families once kept pristine. "This is my art," Usher says, and yes, it makes that classic crunchy sound. In the kids' playroom, a wall of stuffed animals from the children's own collections lines the space, leading to a vibrant pink-and-blue room with a small stage and foam pit. Daughter Sovereign's room has a ceiling mural based on her own drawings, while son Naviyd's room includes a Jeff Koons print and a drawing by Michael Jackson himself. ## Art Everywhere, But Not a Museum The home is filled with works by renowned artists like Romare Bearden, Julian Schnabel, Rashid Johnson, and Lauren Halsey, but Usher insists it doesn't feel like a museum. "It's not like the most expensive piece wins the best wall," he says. Instead, he's infused each space with personal touches: his grandmother Tina's piano, a cross-shaped window holding dried flowers from her funeral, and a concrete panel with the family's handprints. ## Spaces for Every Mood The home includes a barbershop, a hookah lounge for Jennifer, a golf simulator, a basketball court, and a yoga deck. The primary bedroom is a serene retreat with soft textures and blush tones, while the "Gentleman's Lounge" showcases Usher's career mementos—Grammys, a BET Award, and a jewel-encrusted football from his Super Bowl halftime show. ## A Place to Come Home To For Usher, this home is a sanctuary. After a recent knee surgery, he spent time recovering here, and he's now back on tour with Chris Brown. But no matter where the road takes him, this Atlanta home is where he's made a place to rest, reflect, and be with family. As Nicole Fuller says, "Art is meant to be lived with." And in Usher's home, that's exactly what happens.]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>usher</category> <category>interiordesign</category> <category>celebrityhomes</category> <category>artcollection</category> <category>atlanta</category> <enclosure url="https://media.architecturaldigest.com/photos/6a70a8c70bdcf68ccef525c8/16:9/w_1280,c_limit/AD0926_USHER_31%20copy.jpg" length="0" type="image/jpg"/> </item> <item> <title><![CDATA[How Figma Rethought Teamwork to Ship Nested Folders: Code, Craft, and Collaboration]]></title> <link>https://www.designremotejobs.com/article/how-figma-rethought-teamwork-to-ship-nested-folders-code-craft-and-collaboration</link> <guid>how-figma-rethought-teamwork-to-ship-nested-folders-code-craft-and-collaboration</guid> <pubDate>Mon, 03 Aug 2026 18:00:37 GMT</pubDate> <description><![CDATA[## From Pixels to Pull Requests: Inside Figma's New Way of Working Figma recently introduced **nested folders**, a long-awaited feature for organizing files. But behind this seemingly simple update lies a story of a team that **completely reinvented its workflow** to make it happen. Facing shifting priorities and new AI capabilities, the team adopted a radical approach: **leading with code, blurring roles, and turning handoffs into conversations**. ### Leading with Code: Proposals Over PRDs Software Engineer **Ethan Adams** realized early on that the traditional product development process would be too slow. Instead of debating requirements in long Slack threads, the team started **spinning up pull requests (PRs) to test ideas**. As Ethan puts it, "A working demo in your actual codebase beats a PRD every time." This approach allowed them to quickly sketch ideas and get feedback in a live testing ground, accelerating their velocity and building confidence in their choices. ### Blurring Roles: Designers in Code, Engineers in Design Product Designer **Cai Charniga** admits their PR count was low, but the team's dynamic shifted dramatically. Engineers like **Jenny Yu** brought strong design instincts, mocking up flows and tweaking UI. Cai, in turn, pushed code and gained a deeper empathy for engineering. This cross-pollination meant work never stalled waiting for the "right" person. As Cai notes, "When you have a strong design system and trust, an engineer can go deep on a design feature." ### Trading Control for Conviction: The PM's New Role Product Manager **Sachi Shah** had to let go of the idea that all product thinking came from the PM. Instead, she focused on **matching people to problems** and letting them run. This freed her to tackle strategic questions, like whether folders still mattered in an AI-first world. She also dove into customer discovery, running an early-access program and cold-pitching at Config. "Trading control for conviction," she says, allowed her to focus on the work she was best positioned to do. ### Building Trust Through Shared Rituals This new way of working only succeeded because of **deep trust and shared rituals**. The team held weekly bug bashes, cross-functional syncs, and celebrated milestones together. They became teachers and learners, sharing the parts of their craft they once guarded. The result? A successful launch of nested folders, delivered without compromising quality. ### Key Takeaways for Your Team - **Lead with code**: Use PRs as proposals to test ideas quickly. - **Blur roles**: Encourage engineers to design and designers to code. - **Turn handoffs into conversations**: Foster continuous collaboration. - **Trade control for conviction**: Let PMs focus on strategy and trust the team. - **Invest in relationships**: Shared rituals build the trust needed for flexibility. Nested folders are rolling out to all users over the next few weeks. For more details, check Figma's help center. *Hero illustration by Sebastian Cestaro*]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>figma</category> <category>nestedfolders</category> <category>teamwork</category> <category>productdevelopment</category> <category>designops</category> <enclosure url="https://cdn.sanity.io/images/599r6htc/regionalized/68adf86588af2b28d14037abd33156592a470bd5-1632x918.png?w=1200&q=70&fit=max&auto=format" length="0" type="image/png"/> </item> </channel> </rss>