<?xml version="1.0" encoding="utf-8"?> <rss version="2.0"> <channel> <title>Design Remote Jobs | Find Remote Graphic Designer Job Positions</title> <link>https://www.designremotejobs.com</link> <description>Find remote graphic design jobs worldwide. Browse hundreds of remote positions for graphic designers, UI/UX designers, and creative professionals. Work from anywhere.</description> <lastBuildDate>Sat, 13 Dec 2025 16:55:50 GMT</lastBuildDate> <docs>https://validator.w3.org/feed/docs/rss2.html</docs> <generator>https://github.com/jpmonette/feed</generator> <language>en</language> <image> <title>Design Remote Jobs | Find Remote Graphic Designer Job Positions</title> <url>https://www.designremotejobs.com/images/logo-512.png</url> <link>https://www.designremotejobs.com</link> </image> <copyright>All rights reserved 2024, DesignRemoteJobs.com</copyright> <category>Bitcoin News</category> <item> <title><![CDATA[Discover How This 'Breathing' Home in Vietnam Uses Perforated Brick Walls to Create Natural Ventilation and Light]]></title> <link>https://www.designremotejobs.com/article/discover-how-this-breathing-home-in-vietnam-uses-perforated-brick-walls-to-create-natural-ventilation-and-light</link> <guid>discover-how-this-breathing-home-in-vietnam-uses-perforated-brick-walls-to-create-natural-ventilation-and-light</guid> <pubDate>Fri, 12 Dec 2025 19:00:26 GMT</pubDate> <description>< ### The Concept: More Than Just Shelter "The idea was to imagine a home that does more than shelter, a home that breathes, softly and continuously, through light, air, and the warmth of local materials," explained Live Out Studio co-founder Van Tan Quyen Le. The house contains **two separate residences** – one for the family's parents and another for their daughter – cleverly separated by a **narrow central courtyard** that provides natural light and ventilation throughout the structure. ### Material Harmony and Local Craftsmanship From the beginning, the design embraced a **single, harmonious material palette**: clay-toned corrugated roof, handcrafted brick façades, bamboo shade, clay-rendered walls, and brick garden paving. "Woven together like an earthy carpet flowing seamlessly from inside to out, this continuity allows the home to settle naturally into its setting, as if grown from the ground itself," Quyen added.  ### Spatial Organization: A Delicate Puzzle Le describes the organization of the conjoined homes as a "delicate puzzle," with each having its own individual needs and feng shui orientation. Each home's living, kitchen and dining space occupies the ground floor, organized around **two distinct staircases** – one at the front finished in timber and clay plaster and one at the rear in folded, painted steel. The parents' living room opens onto an entrance yard shaded by a **bamboo canopy**, while the daughter's overlooks the central courtyard through folding, timber-framed windows above a built-in bench. ### The Signature Facade: Breathing Architecture Terracotta Breath's **perforated brick facade** forms a double-skin for a ceremonial hall on the first floor of the parents' home. Here, a small balcony is sandwiched between the brick and sliding glass windows, allowing for natural ventilation to be mediated. "These operable elements enable the architecture to respond continuously to changing conditions, creating shifting patterns of light and gentle airflow throughout the day," said co-founder Thi Anh Nguyet Tran.  ### Interior Continuity and Material Transition The bedroom areas are finished in more **neutral pale plaster**, while the bathroom and kitchen spaces feature small terracotta tiles, with the whole interior unified by pale tiled floors on the ground floors and wooden floors above. "This facade becomes the project's signature moment: a distinctive yet humble interface between the home, its occupants, and the surrounding laneway, quietly demonstrating how local materials and craftsmanship can shape a living, breathing architecture," Tran emphasized.  ### Context and Inspiration Other homes in Vietnam recently featured include Kho Rèn House in Hue by M+TRO Studio, which is also sheltered by a facade of perforated brickwork, and the Earthenware House, which Naqi & Partners designed as a row of terracotta pots. Terracotta Breath stands as a testament to how **sustainable design principles** can be beautifully integrated with local materials and cultural considerations to create homes that truly connect with their environment and occupants.]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>architecture</category> <category>sustainable</category> <category>vietnam</category> <category>terracotta</category> <category>ventilation</category> <enclosure url="https://static.dezeen.com/uploads/2025/11/terracotta-breath-home-vietnam-live-out-studio-hero_dezeen_2364_col_0.jpg" length="0" type="image/jpg"/> </item> <item> <title><![CDATA[Record-Breaking $31.4 Million Hippopotamus Bar Sells at Auction, Redefining Design's Value]]></title> <link>https://www.designremotejobs.com/article/record-breaking-314-million-hippopotamus-bar-sells-at-auction-redefining-designs-value</link> <guid>record-breaking-314-million-hippopotamus-bar-sells-at-auction-redefining-designs-value</guid> <pubDate>Thu, 11 Dec 2025 19:00:24 GMT</pubDate> <description><![CDATA[**French designer François-Xavier Lalanne’s *Hippopotame Bar, pièce unique* (1976) sold for a staggering $31.4 million at Sotheby’s on December 10th.** This sale not only smashed its pre-sale high estimate of $10 million but also set the highest price for the artist at auction and the highest price ever achieved for a design work at auction, with all prices including fees. The final price was the result of an intense 26-minute bidding battle at the New York auction house, involving seven bidders. This event underscores the **growing popularity of design** in the art market, highlighting how functional pieces are being recognized as significant artworks. *Hippopotame Bar, pièce unique* was part of the Schlumberger Collection, belonging to French-born oil heiress and longtime Houston resident Anne Schlumberger and her family. Schlumberger commissioned the work in 1976, making it one of Lalanne’s earliest and most significant explorations of the hippopotamus form. This intimate collaboration yielded the only example executed in hand-wrought copper. Schlumberger died in April 2025. François-Xavier and his wife, Claude, are often referred to as **Les Lalanne**, a design duo known for their whimsical, surreal sculptural furniture and fanciful bronzes. Blending animal forms with natural motifs, their work turns everyday use into playful artworks. The design duo gained recognition gradually. In the 1980s, they only caught the attention of the French. However, by the 2000s, the designers had finally gained the attention of international collectors, and that interest continues to rise today. François-Xavier’s previous artist record was held by *Rhinocretaire I* (1964), another sculpture containing a bar, which sold for $19.4 million at Christie’s in 2023. In June, a similar piece came close to the record, when *Grand Rhinocrétaire II* (2003) fetched $16.4 million at Sotheby’s. This followed a sale dedicated to the designer, which fetched $59 million at Christie’s in October 2024. Claude’s auction record is held by *Très grand choupatte* (2014), which sold for €4.9 million ($5.3 million) at Christie’s in 2023.]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>auction</category> <category>design</category> <category>sculpture</category> <category>lalanne</category> <category>record</category> <enclosure url="https://d7hftxdivxxvm.cloudfront.net?height=630&quality=80&resize_to=fill&src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2F5SBkkgfFcnhVuMcvesyeYw%252FM.jpeg&width=1200" length="0" type="image//"/> </item> <item> <title><![CDATA[The Drama's Ingenious Film Promo: How Zendaya and Robert Pattinson's Fake Engagement Redefines Poster Design]]></title> <link>https://www.designremotejobs.com/article/the-dramas-ingenious-film-promo-how-zendaya-and-robert-pattinsons-fake-engagement-redefines-poster-design</link> <guid>the-dramas-ingenious-film-promo-how-zendaya-and-robert-pattinsons-fake-engagement-redefines-poster-design</guid> <pubDate>Wed, 10 Dec 2025 19:00:26 GMT</pubDate> <description>< *(Image credit: A24)* ## Fan Reactions and Design Impact "Are we finally moving past floating head posters? Is it finally happening?" one relieved fan wrote. "Why does it just look like Pattinson and Zendaya, it looks like a picture from an **Instagram** feed, not a movie," another fan questioned. Others were a little too convinced by the actors' chemistry, with many asking what 'Spiderman' (Zendaya's fiancé, Tom Holland) would think. One fan even came to her defence, writing, "Zendaya is married, this other guy is too close." Personally, I love this new nonchalant take on poster design. The candid, undone feel is delightfully refreshing and clearly quite immersive for some, making it a great **guerrilla marketing** example. For more poster design inspo, check out the best movie posters of all time. Natalie Fear is Creative Bloq's staff writer. With an eye for trending topics and a passion for internet culture, she brings you the latest in art and design news. Natalie also runs Creative Bloq’s Day in the Life series, spotlighting diverse talent across the creative industries. Outside of work, she loves all things literature and music (although she’s partial to a spot of TikTok brain rot).]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>filmpromo</category> <category>posterdesign</category> <category>guerrillamarketing</category> <category>designtrends</category> <category>celebritymarketing</category> <enclosure url="https://cdn.mos.cms.futurecdn.net/T3iauUdpqqGbF6qwrPghBU-1920-80.jpg" length="0" type="image/jpg"/> </item> <item> <title><![CDATA[Unveiling the Nothing Phone (3a) CE: A Nostalgic Masterpiece Redefining Smartphone Design]]></title> <link>https://www.designremotejobs.com/article/unveiling-the-nothing-phone-3a-ce-a-nostalgic-masterpiece-redefining-smartphone-design</link> <guid>unveiling-the-nothing-phone-3a-ce-a-nostalgic-masterpiece-redefining-smartphone-design</guid> <pubDate>Tue, 09 Dec 2025 19:00:25 GMT</pubDate> <description>< Looking at the hardware, Emre Kayganacıl’s winning Community Edition design nods unapologetically to the late ’90s and early 2000s, that era when gadgets leaned into fun, colour, and character – think vibrant iPad colourways, gel-like PlayStation memory cards and transparent Nintendo N64 consoles. But instead of relying on pure nostalgia, the Phone (3a) CE lands somewhere far more interesting: a grown-up interpretation of a childhood memory. The soft-touch, rubberised transparent back immediately stands apart from Nothing’s usual glass-backed minimalism. At a glance, it looks playful, but in the hand, it feels premium. The lime-acid green coloured rear panel gets punctuated by tiny hits of yellow and pink, a palette that sounds chaotic on paper but, in the hand, works. Then there’s the texture. Viewed dead-on, the circuitry beneath pops sharply into view. Tilt it a few degrees, though, and the transparency softens, almost like the phone is revealing and concealing itself in real time. It’s a clever, tactile bit of interaction, more playful than Nothing’s usual transparency, and more surprising too. I've caught myself turning it over just to rewatch the effect. ## Not just a new phone This playful ethos extends beyond the handset. For the first time, Nothing opened an accessory category, and Ambrogio Tacconi and Louis Aymonod delivered Dice; tactile, six-sided reminders of chance, strategy, and shared moments. Each face is rendered in Nothing’s Ndot 55 font, blending a centuries-old iconography of play with the brand’s modern, precise aesthetic. It’s an accessory that perfectly complements the phone’s character: small, charming, and full of personality. Inside the device, Jad Zock’s lock screen and wallpaper designs continue the theme of considered play. The custom clock face declutters the display while guiding the eye intuitively to the time, a subtle exercise in functional elegance. Complementing it, four exclusive wallpapers echo the rear panel’s colours, hiding playful easter eggs and bridging the gap between the hardware’s tactile personality and the interface you see every day.  Even the marketing celebrates this spirit. Sushruta Sarkar’s Made Together campaign doesn’t just showcase the finished phone. As cursors float across the screen, messages pop in and community names appear, it tells the story of collaboration, of fans and creators shaping the product side by side with Nothing’s design, software, and marketing teams. The phone itself is a conversation starter, but the campaign positions it as a celebration of the process that brought it to life.  The Phone (3a) Community Edition is a rare release, with just 1,000 units being made worldwide, based on the 12GB/256GB model. You can register your interest from 9 to 11 December, ahead of the limited sales window opening on 12 December via nothing.tech. Priced at £379, the new limited-run smartphone will also be available through select retail partners from 12 December, with one of the first in-person opportunities at Nothing Store Soho in London, opening at 11:00 GMT on 13 December. This is a genuinely collectible edition, and once it’s gone, that’s it. ]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>nothingphone</category> <category>communityedition</category> <category>smartphonedesign</category> <category>nostalgia</category> <category>limitededition</category> <enclosure url="https://cdn.mos.cms.futurecdn.net/sx5QK6cjiPxoS8ca79gVvT-1600-80.jpg" length="0" type="image/jpg"/> </item> <item> <title><![CDATA[Beyond Bilbao: Frank Gehry's Hidden Genius in Transforming Ordinary Spaces]]></title> <link>https://www.designremotejobs.com/article/beyond-bilbao-frank-gehrys-hidden-genius-in-transforming-ordinary-spaces</link> <guid>beyond-bilbao-frank-gehrys-hidden-genius-in-transforming-ordinary-spaces</guid> <pubDate>Mon, 08 Dec 2025 19:00:33 GMT</pubDate> <description>< *Gehry extended the Santa Monica kitchen over a driveway, leaving the asphalt as flooring. (Frank O. Gehry / Getty Research Institute, Los Angeles)* While the architecture world adored it, neighbors were less enthusiastic—one compared it to "a Tijuana sausage factory." Yet, the fuss over its form overlooked the experience of living within, where Gehry created an open, light-filled space that felt alive and informal. Gehry also applied this subtle touch to cultural hubs in Los Angeles. In the late 1970s, he expanded **Gemini G.E.L.**, a printmaking studio on Melrose Avenue, adding architectural flourishes like a tilted skylight that made ascending stairs feel like entering a geometric abstraction. Similarly, his renovation of an old warehouse and police garage into the first home of the **Museum of Contemporary Art, Los Angeles (MOCA)** in 1984 left the industrial guts intact, creating a rugged, unfussy space that merged with its urban context. This building, now called the Geffen Contemporary, has proven ideal for exhibitions like "Monuments," which critiques white-supremacist aesthetics with decommissioned Confederate monuments. Its industrial interiors avoid romanticization, embodying Gehry's early projects that were "rough around the edges." In 2021, Gehry completed the **Beckmen YOLA Center**, a permanent home for the Los Angeles Philharmonic's youth orchestra in Inglewood. Carved out of a modernist bank building that had been a Burger King, it features flexible rehearsal spaces, cozy plywood nooks, and abundant sunshine. Gehry noted, "It's not a precious building, but it's precious in what it does." This project marked a full-circle moment for Gehry, returning to his roots as a designer who found the extraordinary in the mundane. **Unlike the ego-driven starchitect projects, the Beckmen Center reflects a welcoming, transformative space for young musicians**, remaking a fast-food site into a hub of art and community. Great legacies, as Gehry showed, can be built on such humble foundations.]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>frankgehry</category> <category>architecture</category> <category>adaptivereuse</category> <category>designlegacy</category> <category>losangeles</category> <enclosure url="https://cdn.theatlantic.com/thumbor/6LSauTTLkt0GeYPpCRBZ56TQEF4=/6x207:4871x2741/1200x625/media/img/mt/2025/12/2025_12_07_Gehry/original.png" length="0" type="image/png"/> </item> </channel> </rss>