<?xml version="1.0" encoding="utf-8"?> <rss version="2.0"> <channel> <title>Design Remote Jobs | Find Remote Graphic Designer Job Positions</title> <link>https://www.designremotejobs.com</link> <description>Find remote graphic design jobs worldwide. Browse hundreds of remote positions for graphic designers, UI/UX designers, and creative professionals. Work from anywhere.</description> <lastBuildDate>Wed, 11 Feb 2026 22:01:13 GMT</lastBuildDate> <docs>https://validator.w3.org/feed/docs/rss2.html</docs> <generator>https://github.com/jpmonette/feed</generator> <language>en</language> <image> <title>Design Remote Jobs | Find Remote Graphic Designer Job Positions</title> <url>https://www.designremotejobs.com/images/logo-512.png</url> <link>https://www.designremotejobs.com</link> </image> <copyright>All rights reserved 2024, DesignRemoteJobs.com</copyright> <category>Bitcoin News</category> <item> <title><![CDATA[Inside Mandy Moore's Dreamy Altadena Home: A 5-Year Restoration Story of Love, Loss, and Resilience]]></title> <link>https://www.designremotejobs.com/article/inside-mandy-moores-dreamy-altadena-home-a-5-year-restoration-story-of-love-loss-and-resilience</link> <guid>inside-mandy-moores-dreamy-altadena-home-a-5-year-restoration-story-of-love-loss-and-resilience</guid> <pubDate>Wed, 11 Feb 2026 19:00:28 GMT</pubDate> <description><![CDATA[# A Journey Home: Mandy Moore's Altadena Restoration Sometimes, a house finds you. That's what happened to **Mandy Moore** and her husband, musician **Taylor Goldsmith**, in June 2020 when they toured a 1931 **Spanish Colonial Revival** home in Altadena on a whim. "We walked in and were like, 'Whoa, is this our next move?'" Moore recalls, curled up on the velvet sofa in the living room, with a five-year odyssey of renovating and rebuilding behind her. ![Living room with restored stenciled beams and grand arches](https://media.architecturaldigest.com/photos/6983637daa0b308c2ee59603/master/w_1600%2Cc_limit/AD0326_MOORE_2%2520copy.jpg) They immediately called their architect **Emily Farnham**, who assured them, "This is a lot, but we can do it." The property had a mismatched kitchen renovation, a coyote den in the yard, and an air of faded glamour. But they saw potential: the back house would become a music studio for Goldsmith, cofounder of the band Dawes, and the romantic main house was where they would raise their future family. ## The Dream Team Reunites Moore and Goldsmith reunited the same team that transformed Moore's bright and sleek midcentury home in Pasadena, featured on *Architectural Digest*'s cover in 2018. This included interior designer **Sarah Sherman Samuel** and the landscape design firm **Terremoto**. "Mandy wanted color and pattern and soft edges. Her taste is sophisticated but playful. They're both so creative. I like to say it's a very grown-up house but with a little sparkle," says Samuel. "They let us run, creatively." ![Kitchen with island painted in Benjamin Moore’s Jade Romanesque](https://media.architecturaldigest.com/photos/6983637ed3e5a5079d9b2146/master/w_1600%2Cc_limit/AD0326_MOORE_4%2520copy.jpg) Farnham's sensitive remodel featured velvety plaster walls, grand arches, an expanded kitchen, restored stenciled beams in the barrel-vaulted living room, and a new ADU with a garage that complemented the classic architecture. Samuel worked her magic on the interiors with **bold tile**, **deep color**, and plenty of her own textiles and curvilinear furniture. ## A Family Home Realized By the time they moved in in November 2023, they were parents of two toddler boys, Gus and Ozzie, with a baby on the way. The family-friendly garden and pool were in place. The designer brought in a photographer to immortalize the picture-perfect rooms for her first book, *Sarah Sherman Samuel: The Intersection of Art and Design*, with Moore writing the foreword. ![Children's room with built-in bunk beds and custom hand-painted dollhouse armoire](https://media.architecturaldigest.com/photos/6983637fd8cb1bcf4b53894e/master/w_1600%2Cc_limit/AD0326_MOORE_5%2520copy.jpg) For a little while, they lived the dream life they imagined. Then one evening last January, a fire reached their side of town. They evacuated with their kids, pets, and harrowing memories. While the music studio and ADU were lost, the house, miraculously, survived. The structure and hard finishes like tile and light fixtures were salvageable, but the soft goods were destroyed by smoke. ## Rising from the Ashes "We were...I don't want to cry," Moore says, pausing for composure. "But our sweet neighbor said that if anyone's house made it, he was glad it was ours, because we had been working on it for so long." Samuel and Farnham were devastated but determined. "I know basically everything in their house because I have it all cataloged," says Samuel. "Aside from Taylor's lost vintage instruments, I knew it was all replaceable." ![Dining room with striped raffia lamps from Morocco and vintage sideboard](https://media.architecturaldigest.com/photos/6983637fd3e5a5079d9b2149/master/w_1600%2Cc_limit/AD0326_MOORE_11%2520copy.jpg) For four months, the house sat like an ash-covered time capsule. Then slowly, they began to put the pieces back together. "Mandy told me 'I am 100 percent happy for you to buy the same things and replace them, or for you to get creative and make different choices,'" says Samuel. They found some new fabrics and rugs, and similar replacements for vintage pieces, but everything else remained the same. ## A Community's Spirit All of the clothing, textiles, and furniture were thrown away. A "surgical" remediation process involved making incisions into walls to replace duct work and the HVAC system. By September, they were back, and more connected to their cherished foothills than ever. "It was gutting to be up here before the lots were cleared and you saw the degree of the loss," Moore says. "But I think because there are pockets that are untouched, and so much rebuilding is happening in patches around town, it's clear that people still want to be here. There's an undefeatable spirit." ![Powder room with custom plaster treatment and Tableau sconce by Kelly Wearstler](https://media.architecturaldigest.com/photos/69836380cdac38cf2e254f5a/master/w_1600%2Cc_limit/AD0326_MOORE_15%2520copy.jpg) The work is not over. Their ADU is wrapping up construction, and they're breaking ground on the new studio. But the play structure is up, the roses are in bloom, and they're quietly cheering on neighbors as they trickle back, with shared determination to rebuild. "It's so delightful working with them," adds Farnham of her longtime clients, "But it would be nice if they had some calm years ahead. I want them to have no need for me. At least for a while."]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>home</category> <category>restoration</category> <category>interior</category> <category>design</category> <category>architecture</category> <enclosure url="https://media.architecturaldigest.com/photos/6983637dd3e5a5079d9b2143/16:9/w_1280,c_limit/AD0326_MOORE_1%20copy.jpg" length="0" type="image/jpg"/> </item> <item> <title><![CDATA[Unveiling the 'Same-Face Syndrome' in Overwatch: Why Female Characters Are Losing Their Unique Identities]]></title> <link>https://www.designremotejobs.com/article/unveiling-the-same-face-syndrome-in-overwatch-why-female-characters-are-losing-their-unique-identities</link> <guid>unveiling-the-same-face-syndrome-in-overwatch-why-female-characters-are-losing-their-unique-identities</guid> <pubDate>Sun, 08 Feb 2026 19:00:27 GMT</pubDate> <description><![CDATA[## The Controversy Over Anran's Design A massive drop of five new characters is coming to Overwatch next week, and one of them is already causing controversy. Blizzard Entertainment might have dropped the '2' from the hero shooter's title, but fans are feeling a major sense of déjà vu. One of the newcomers is **Anran**, who's been made available to play as an early trial character. The fire-wielding hero is supposed to be the sister of water-manipulating Wuyang. But is she a new character or just an existing one with new cosmetics? ![Anran in Overwatch](https://cdn.mos.cms.futurecdn.net/fbJ7BfWsQDwvJtN4ZkUBEU.webp) *Image credit: Blizzard Entertainment* Social media is full of posts saying the same thing: that Anran's face looks like a copy and paste of the existing Overwatch characters **Kiriko** and **Juno**. Many fans see her as a severe example of a trend that's been dubbed **“same-face syndrome”**. It's not the first time Overwatch has faced such charges. There have been complaints that characters like Widowmaker, Ashe, and Freja look similar in some skins. Even in the original Overwatch, some people said Brigitte looked like Mercy. With Anran, the similarities are so blatant that some fans suggest she's more like a new Kiriko skin than a character in her own right, differing only in her hair style and costume. And if she's supposed to be Wuyang's older sister, why does she look so young? ## Broader Examples in Gaming Overwatch isn't the only video game to have been accused of same-face syndrome. **Miary Zo in Tekken 8** was criticised for looking too similar to other female fighters. In both of these examples, prior art showed much more distinct-looking characters. **Concept art** for Miary Zo showed her with darker skin, thicker eyebrows, fuller lips, and wavy hair, making her look less East Asian and more Madagascan, like she was supposed to be. Similarly, 2D art of Anran in animated trailers and comics showed a much more adult-looking woman with sharper features and a longer nose. The 3D model for the game has a rounder face and Kiriko and Juno's button nose, making her look younger as well as more generic. One fan has already taken it upon themselves to show what the 3D model could have looked like if it more closely resembled previous depictions of Anran. Judging by the comments on the post, a lot of people seem to prefer this fan-made redesign with its more distinctive angular features. So what happened to Anran between the trailer and her game appearance? ## Technical and Cultural Factors **Same-face syndrome** can have technical causes. Game developers might reuse a default face mesh or rig for multiple characters. Facial rigs and expressions are expensive and time-consuming to design, while sticking to a template can ensure smooth **animation** across a large roster of characters. But if the explanation is technical, why does the phenomenon seem to affect female characters more than men? It's been suggested that there are **cultural biases** at work. Some claim that developers feel forced to align with what they see as certain beauty standards, resulting in female characters getting made 'more cute', particularly for East Asian markets. One fan describes such characters as “fetish content”. “It's because she's an Asian character. Instead of making her actually Asian they just make her have a baby face with big round eyes,” they claim. Another consideration is **art style**. A certain amount of homogeneity is to be expected as developers want a game to have a uniform aesthetic. The Overwatch look is very stylised. All characters have clean, smooth skin and shapes, and some fans argue that you can find similarities between any of them if you look for them. A very different character design might feel jarring and out of place in the Overwatch universe. However, there's a line between achieving a consistent art style and resorting to carbon-copy characters. ## The Impact on Player Engagement **Visual design** is a crucial part of games, and the distinctiveness of characters is a factor that keeps players interested. When characters all start to look the same, it can appear like developers are running out of ideas and imagination. Anran's abilities alone may not be enough to make players value her as an addition to the game.]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>characterdesign</category> <category>overwatch</category> <category>gaming</category> <category>designtrends</category> <category>animation</category> <enclosure url="https://cdn.mos.cms.futurecdn.net/fbJ7BfWsQDwvJtN4ZkUBEU-2560-80.webp" length="0" type="image/webp"/> </item> <item> <title><![CDATA[From UX Designer to NYC's Ice-Breaking Hero: How One Man Turned a Snowstorm into a Lucrative Gig]]></title> <link>https://www.designremotejobs.com/article/from-ux-designer-to-nycs-ice-breaking-hero-how-one-man-turned-a-snowstorm-into-a-lucrative-gig</link> <guid>from-ux-designer-to-nycs-ice-breaking-hero-how-one-man-turned-a-snowstorm-into-a-lucrative-gig</guid> <pubDate>Thu, 05 Feb 2026 19:00:28 GMT</pubDate> <description><![CDATA[## The Dig-Out King of New York City Drivers who failed to dig out while the snow from our late-January storm was still soft are now facing thick walls of ice encasing their vehicles. While these frozen mounds might look almost sculptural, the reality is harsh: unless people are ready to abandon their cars to the elements, they must dig out—or pay someone else to do it. For the determined, this challenge has become a quick source of income. We spoke with Danny, an unemployed tech worker living in Greenpoint, who is making waves around the city. He's not just cleaning up snow; he's charging a minimum of **$119 per dig**, with prices varying based on how deeply the vehicle is buried, as noted in his [flyer](https://www.reddit.com/r/williamsburg/comments/1qtoap2/car_dig_outs_snow_removal_due_to_high_demand_weve/). *This interview has been edited and condensed for clarity.* **How did you become a dig-out guy?** My background is in **user experience design**. The downturn in the tech industry over the past 12 months has made job hunting incredibly tough. In December, I signed up for emergency snow removal with the Department of Sanitation, ready to shovel snow, but they never called. So, I decided to take matters into my own hands. Then, I saw a post on Reddit last week offering a snow-shoveling gig, and it sparked the idea to start my own service. ![Photo: Courtesy of the subject](https://pyxis.nymag.com/v1/imgs/fe8/4d1/c4e47216f561a5f1095892fc990d2851d9-IMG-8143.rhorizontal.w700.jpg)]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>career</category> <category>sidehustle</category> <category>uxdesign</category> <category>snowstorm</category> <category>adaptability</category> <enclosure url="https://pyxis.nymag.com/v1/imgs/fe8/4d1/c4e47216f561a5f1095892fc990d2851d9-IMG-8143.1x.rsocial.w1200.jpg" length="0" type="image/jpg"/> </item> <item> <title><![CDATA[Behind the Lens: Capturing the Untold Stories of Black Debutante Balls]]></title> <link>https://www.designremotejobs.com/article/behind-the-lens-capturing-the-untold-stories-of-black-debutante-balls</link> <guid>behind-the-lens-capturing-the-untold-stories-of-black-debutante-balls</guid> <pubDate>Wed, 04 Feb 2026 19:00:29 GMT</pubDate> <description><![CDATA[My new book **Social Season** opens with a poem set in the mid-1800s, a time that marked the beginning of a period of increased financial prosperity for some African Americans. Cotillion dances have European origins, but in the poem, Black New Yorkers perform classic dances such as waltzes and quadrilles and are dressed in fine outfits. These **Black debutante balls** go back a long way, and are one example of African Americans trying to create a better life. Today, they continue to introduce young women into society and retain a strong emphasis on the participants’ education. Initially, I had been working towards creating a book with a larger overview of Black subcultures in general. I’d photographed cheerleaders, churches, traditional rodeos and other intergenerational community gatherings. I wanted to include a debutante ball in a post-industrial city, and **Detroit** has a very rich Black history. When I first reached out to the city’s Cotillion Society, I only planned to attend one year’s event. But after that evening in 2022, I realised this was a project in itself and that I was really going to have to work for the images I wanted. The **Detroit Masonic Temple**, where the cotillions take place, is an incredible venue, but it doesn’t provide any natural light, something I’ve relied on for most of my career. I would get six to eight hours to work, arriving while the kids were getting dressed and preparing for the evening’s events. The girls take **etiquette lessons** for months leading up to the ball as part of the programme, as do their male escorts, and all the kids have to learn the formal choreography for the group dances. There’s a live orchestra playing classical and jazz music – they’ll do variations of songs such as Sammy Davis Jr’s Hello Detroit and Bridgerton-themed songs, too. The photographs in the book were taken during four balls held in consecutive years. Every event brings something new and I have to be aware of my goal. One year, I might have got enough images of girls looking directly into the camera, so next time I’d aim for more **candid photos**. There was a sense of collaboration – I would say: “Listen, if you see the camera, try to ignore me – the flash will be going off, but I’ll stay out of the way.” Being able to connect with them on that is 100% why the photos work, plus I did earn my place in the community by doing a lot of prep to make people aware of what I was doing, and using Zoom calls to introduce myself to the families and so on. Every debutante is accompanied to the stage by a father figure – their dad, uncle or another older man who is important to them. Before the dances start, they each get an introduction listing their accomplishments and where they are going to college next year. There’s a lot of waiting. The reason the girls in this picture are sitting on the ground is because for the first couple of years I went, there weren’t any chairs in the waiting room. After two or three hours, it gets pretty tiring standing up in one of those dresses. I love how relaxed this moment was and that while the girls were happy to sit, the dads were, like: “No, we will be standing.” Another photograph shows a boy I spotted towards the end of one night, standing next to the old shoeshine area by one of the bathrooms – I don’t remember having seen him until that point. Despite being dressed in formal wear, he was on crutches. I didn’t find out why, but I really like those pictures that add a bit of unexpected variety. At the same time, I was glad that if someone left the dancefloor, they were not allowed back on without the proper attire. If any of the kids had been in normal clothing, some magic would be lost. But after the cotillion dances are over and everybody has had their sit-down meal, the string instruments give way to contemporary party music and you get to see that these future community leaders are still gen Z kids just finishing high school. ![Miranda Barnes poses in a black and white shot.](https://i.guim.co.uk/img/media/d4fcf8f7ee55ac299c92bd603a32856cc1327e8a/0_63_2400_2770/master/2400.jpg?width=120&dpr=1&s=none&crop=none) ## Miranda Barnes’s CV **Born:** Brooklyn, 1994 **High point:** Social Season **Top tip:** Reading is fundamental!]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>photography</category> <category>blackculture</category> <category>debutante</category> <category>detroit</category> <category>tradition</category> <enclosure url="https://i.guim.co.uk/img/media/892b9c22ca2cfe210cda30b4965e85616365db3e/0_14_3543_2835/master/3543.png?width=1200&height=630&quality=85&auto=format&fit=crop&precrop=40:21,offset-x50,offset-y0&overlay-align=bottom%2Cleft&overlay-width=100p&overlay-base64=L2ltZy9zdGF0aWMvb3ZlcmxheXMvdGctZGVmYXVsdC5wbmc&enable=upscale&s=320bc44f3e76cebacd75d1a8776d520c" length="0" type="image/png"/> </item> <item> <title><![CDATA[Cleveland's Bold New Apartment Complex: How J-Roc Development is Redefining Urban Living with Innovative Design]]></title> <link>https://www.designremotejobs.com/article/clevelands-bold-new-apartment-complex-how-j-roc-development-is-redefining-urban-living-with-innovative-design</link> <guid>clevelands-bold-new-apartment-complex-how-j-roc-development-is-redefining-urban-living-with-innovative-design</guid> <pubDate>Tue, 03 Feb 2026 19:00:30 GMT</pubDate> <description><![CDATA[**J-Roc Development** is making waves in Cleveland's real estate scene once again. As their **Shoreway Tower** rises at the north end of West 78th Street, they're already unveiling plans for their next ambitious project: the **Battery Park Apartments** in the Gordon Square neighborhood. ## A Design That Sparks Conversation This apartment complex is planned for the southeast corner of West 73rd Street and Battery Park Boulevard. The project is scheduled for review by the City Planning Commission, where schematic plans will be presented for approval. ![Battery Park Apartments looking south](https://neo-trans.blog/wp-content/uploads/2026/02/Battery-Park-Apts-JRoc-EAO-2R-1024x581.jpg) *This view shows the proposed development looking south (EAO)* J-Roc is known for **"modern architecture and forward-thinking urban design"** according to their company profile. Their latest project is no exception, featuring irregular, multi-angular structures that are certain to generate discussion among architecture enthusiasts and community members alike. ## Project Details and Design Philosophy The development will contain **82 apartments** across 1.1 acres that J-Roc acquired for $660,000. The property's irregular shape requires a creative approach, with a smaller building at West 70th Street and Battery Park containing six additional apartments and bike storage. ![Site plan for Battery Park Apartments](https://neo-trans.blog/wp-content/uploads/2026/02/Battery-Park-Apts-JRoc-EAO-1-1024x668.jpg) *Site plan showing the proposed layout with West 73rd Street at left and West 70th Street at right* Designer **Evident Architecture Office (EAO)** of Portland, OR, who also worked on J-Roc's previous projects including Shoreway Tower, The Driftwood Apartments, and Electric Gardens, explains their design intent: **"Create a hybrid typology that blends the economy of walk-up units with the ability to foster a strong tenant community typically only found in larger multi-family projects."** ## Community-Focused Features One of the most innovative aspects of the design is the inclusion of **"communal porches"** with seating areas that connect the two main structures along West 73rd. These connections will be above driveway and parking areas, creating a more cohesive multifamily development. ![Looking north from the south end of the development](https://neo-trans.blog/wp-content/uploads/2026/02/Battery-Park-Apts-JRoc-EAO-3-1024x504.jpg) *View showing both connective structures containing communal porches above parking courtyards* EAO emphasizes that **"stronger communities are formed where informal gathering spaces are interspersed along daily circulation routes."** Most units will feature balconies, and the design aims to **"create high-quality units that have ample access to fresh air and sunlight by weaving the landscaping through the individual structures."** ## Practical Considerations The development will include **76 parking spaces** in interior courtyards, plus a central, dedicated bike room. The parking courts will also serve as part of the site's stormwater management system, with drainage and retention below the parking areas. These areas will be gated for residents only, with existing on-street parking available for visitors. ![View from a communal porch](https://neo-trans.blog/wp-content/uploads/2026/02/Battery-Park-Apts-JRoc-EAO-4-1024x620.jpg) *A perspective from one of the communal porches connecting the residential buildings* ## Historical Context and Neighborhood Impact This site has been vacant since 2019 when the city acquired part of it to extend Battery Park Boulevard. The land was previously owned by an affiliate of Marous Development Group, who led the original Battery Park redevelopment of a former Eveready Battery plant more than 20 years ago. The project represents continued investment in the Gordon Square neighborhood, following other developments like The Station 73 apartments by Columbus developer Avenue Partners. South of J-Roc's property along West 73rd, another vacant property has been on the market for 17 months without successful development. As J-Roc continues to push architectural boundaries with their forward-thinking designs, the Battery Park Apartments project demonstrates how innovative urban planning can create both functional living spaces and stronger community connections.]]></description> <author>contact@designremotejobs.com (DesignRemoteJobs.com)</author> <category>urbandesign</category> <category>architecture</category> <category>community</category> <category>development</category> <category>cleveland</category> <enclosure url="https://neo-trans.blog/wp-content/uploads/2026/02/Battery-Park-Apts-JRoc-EAO-2R-1024x581.jpg" length="0" type="image/jpg"/> </item> </channel> </rss>